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Jaka Bonca

Initially I drew all these drawings (in early 80's) by hand with a rapidograph and a ruler. I wanted a computer-generated or computer-processed drawing. But, since I did not have a computer, I began to think like a computer instead.
Later, when the opportunity arose, I transferred all drawings to a computer. I changed and combined some of them, but in the process I discovered that the implementation of a work of art has a special charm.

All sets by Jaka Bonca (2 sets)

  • typesettings

    (17 pictures) show all pictures

    Why should I always draw shapes that keep repeating themselves in my work? I can define them as blocks in a drawing programme, but why should I keep defining constant relationships between shapes? Therefore I need a programme that can deal with constant shapes and relationships that are partly constant and partly changing. I can enter shapes in the computer like a row of characters. This means that apart from Bodoni, Garamond and Caslon, there are also Characters. The rest can be done using the QuarkXPress programme. The technical side is, in principle, this simple. But things get complicated at the next stage when I set some aesthetic demands.

  • modularityes

    show all pictures

    Since I compose material and shapes rather than content, I find the anonymous means of the Character »font« very suitable. It facilitates the infinite possibilities of structural laws, the expandability and flexibility of the system, uniform quantities and relativity of dimensions, all of which determine the final appearance. The whole is based on arrangement and rhythm, just like in music, which expresses itself only tonally. I am interested only in what I cannot express in any other way. Anything I can present through painting should become a painting. So in order to understand graphics, I must first look at what I cannot express in any other way.